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history & criticism Romancing the Bard
Once Upon a Time in Paradise
Seeing Things
Seeing Things
Personal Aspects Of Roman Theatre
From Fire to Flood
Theatre Without Borders
The Cello Suites
Committing Theatre
The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson
Shakespeare and the Second World War
Canadian Drama and the Critics
The Decline of the Hollywood Empire
Performing National Identities
Re: Producing Women's Dramatic History
Theatre and AutoBiography
DADA, Surrealism, and the Cinematic Effect
Let's Dance
Middleton & Rowley
Reel Time

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